2015

Bonhams London to Brighton Veteran Car Run 2015

I had been looking forward to the Bonhams London to Brighton Veteran Car Run for some time, particularly after I had photographed the Best of West Kent Veteran Car Run back in July. The London to Brighton run scheduled on Sunday 1st November is the world's longest running motor event, this year celebrates the 119th Anniversary Run, the pioneering cars from the pre-1905 era, the only event anywhere on Earth where so many veteran cars parade in such numbers, the participants dressed in period attire.

I photographed the arrivals at the finishing line in Brighton, take a look at the show reel below to get a feel for it, if you would like to see more please follow this link to read my full newsletter on my car photography website.

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The above photograph shows the first car back over the finishing line a 1903 Berliet just after 10am.

Thanks for reading I'll be back in two weeks time with more news.

Bye for now, enjoy the weekend.

Stella

How To Get The Best Out Of Your Camera This Autumn

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Autumn is such a colourful time of year and an ideal time to get out with your camera and get the creative juices flowing. I'd like to give you a few tips on how to get the most out of your camera, simple techniques can make all the difference. You may think you need a sunny day to capture the colours, this is only the case when it's early morning or late afternoon when the sun is low and the rays are shining through the trees, the examples above and below show how you can use this to your advantage. I've taken all the photographs in this newsletter with my Nikon D700 body and Nikon 24-120mm lens. The photograph above, which featured on SMS Creative Photography's Christmas card last year, was taken at the bottom of Merle Common Road as you join Red Lane, Oxted. Camera set at 200 ISO, shutter speed 1/100s aperture f5.6.

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The above photograph was exposed at 200 ISO, shutter speed 1/200s and aperture F9.

Autumn HDR

HDR

The above photograph was taken using the HDR technique which I explained in this newsletter. I took 3 images at different exposures which were spliced together to give an even exposure, showing depth and detail, which otherwise would have been lost. You will always need a tripod for HDR. Cloudy Day Sometimes it's best to avoid shooting on a sunny day, the light can be too harsh, burning out the detail, a grey sky means you can make the most of the day with the soft light and more saturated colours. The example below shows how the grey sky lends itself to a wider range of autumn colours. This photograph was exposed at 1600 ISO 1/320s f18.

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Frosty Morning

A crisp frosty morning is also a good opportunity, especially if it's a little misty too, it can add mood and atmosphere and soften colours, creating mystery. Think about how you would like to take the photograph, you don't have to take everything at eye level, squat down and use any pathways to take the viewers eyes into the photograph, it makes more of a story. Exposed at 1600 ISO 1/500s f8. I recommend you push the ISO so you can maintain a shallow depth of field.

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Close Up

Get closer to the subject to pick up the texture and shape, this photograph was exposed at 800 ISO 1/200s at f5.6.

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I hope this has inspired you to experiment with your camera this autumn, remember the clocks go back 1 hour this Sunday morning 25th October, an ideal opportunity to get out to capture the early morning sun and mist.

Thanks for reading I'll be back in two weeks time with more news.

Bye for now, enjoy the weekend.

Stella

Goodwood Revival 2015

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On Sunday 13 September I attended the Goodwood Revival, I always look forward to going to this three-day festival held each September. This event isn't just for car and motor sport lovers it's an event for all the family to enjoy the whole experience of living in a bygone era, with a merry go round and lots of fun things to see, do and buy. It's an educational visit for everyone!

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Featuring all types of road racing cars and motorcycles that would have competed during the circuit's original period - 1948–1966. It is one of the world's most popular motor race meetings and the only event which recreates the golden era of motor sport in the UK. I love the fact that most people dress in period clothes and everything around you reflects this, from the tea stands, police boxes and memorabilia.

Elegance from a bygone era.

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An original Land Rover Defender - still stable when tilted at 45 degrees, as these Revival visitors found out.

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This year the crowds witnessed a spectacular Spitfire and Hurricane display to commemorate 75 years since the Battle of Britain, in attendance were veterans who were part of the ceremony.

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Everything around you enhances the period of the event.

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The Red Coats were there too.

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Where did I park my Spitfire?

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A bit of fun "Madam you're under arrest"!

I hope you have enjoyed reading a little about the Goodwood Revival and it has inspired you to book your tickets for next year. To see more photographs from the event please take a look at Instagram and Twitter @StellaSMS

Thanks for reading I'll be back in two weeks time with more news.

Bye for now.

Stella

RM Sotheby's London Auction Monday 7 September 2015

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Blue Chip Automobiles

On Monday 7 September I took a trip to Battersea Park to see a spectacular array of classic and supercars for the annual RM Sotheby's London auction. As usual RM Sotheby's didn't disappoint with this line up of 75 blue-chip automobiles, displayed for viewing during a champagne reception on Sunday 6 and Monday 7 September. The above Mercedes-Benz 300 SL Roadster didn't meet the reserve of £650,000 - £850,000

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Auctioneer

The lots were numbered between 101-176 and the auction was streamed live. For any of you who have seen auctioneer Max Girardo in action will know he conducts the auction with panache and zeal, communicating in English, French and Italian depending on the bidder. Max always makes these events exciting and entertaining with the help of Peter Wallman (left) who introduces each of the lots with a potted history.

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Lots

Below are a selection of the cars, they were each presented with military precision, either driven or rolled on and off the stage for all to admire. Stunning photographs taken on location of each car were displayed on screens above. My favorite was the 1953 Porsche 356 Pre-A 1500 coupé, with the 1973 Ferrari 365 GTB/4 Daytona Spider a close second

The star of the show, a 1958 Ferrari 250 GT Berlinetta Competizione 'Tour de France' which went for £4,250,000 on the hammer making competition history, it was exciting to watch as the telephone bids were coming in thick and fast. Ferraris as usual stole the show, with total sales achieved of more than £16.6 million.

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To find out more and to see the prices they were sold for please click here.

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Thanks for reading, I'll be back in two weeks with more to share.

Enjoy the weekend! Bye for now.

Stella

Summertime Photography

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Whilst you're away sunning yourself or at home relaxing, take time out to enjoy the moment. Grab your camera and photograph something tranquil, you can refer back to my last newsletter if it helps. Once you've got your image just a little post production can make a huge amount of difference to your summertime photography. Let me show you...

The photograph above was taken in the crystal clear waters of the Caribbean in Barbados. It was an overcast day with a storm brewing. The contrast of clear water and the stormy sky were difficult to capture in one shot, but I knew I could improve this in Photoshop.

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I always shoot in RAW, the RAW file records a greater number of pixels, giving you more freedom to edit an image. These files need to be processed in Photoshop or Lightroom allowing you much more creativity. Using layers like Levels and Curves, Hues/Saturation and Shadows/Highlights, the image can look infinitely better and true to what you had seen.

Don't be afraid to experiment. The photograph below is the end result, which in my mind is true to what I saw.

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The same goes for the photograph below taken at the Soco Hotel Hastings, Barbados. It's not possible to capture an even exposure for the out and inside in one image, this can be achieved by using HDR which I mentioned in my previous newsletter . However without the use of a tripod to shoot multiple images you can still achieve this in one shot. You will need to enhance the exterior view by using the techniques mentioned above and below.

Using a layer mask and playing with a levels adjustment layer I have been able to retrieve the data lost by the harsh sunlight in contrast to the shade inside.

The final image below gives a pleasing result.

I hope this has been useful and has set you on your way in post production, for others of you who are more advanced, keep experimenting, it's the best way to learn as you can find some original tool combinations by making errors.

Enjoy the weekend, I'll be back in two weeks time with more news. Bye for now!

Stella

Are You Getting The Best Out Of Your Camera This Summer?

The summer time is a good time of year to understand how to get the best out of your camera. Especially if you feel your camera controls you. With digital cameras being so sophisticated it's worth getting back to basics, do you remember when all you had to think about was:-

1. Putting film in your camera. 2. What shutter speed should I choose. 3. Which aperture should I use. 4. Focus and shoot.

It isn't too different now, just remember to set your camera to M for manual so you can take control.

With automatic focus this is something you don't have to worry about, these few simple tips will set you on your way.

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Light Metre Display

A very useful tool to use is your lightmetre, you'll see this displayed at the bottom of your view finder, it is so helpful, just make sure the arrow is around the centre 0, by adjusting your shutter speed and aperture. It will look something like the diagram above. A good starting point on a cloudy day is F8 (aperture) at 1/125 (shutter speed) with your ISO set to 400 or use auto setting for this. The picture below shows what your histogram looks like on the back of your camera, a useful tool to check your exposure, a peak similar to the below shows an evenly exposed image.

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If this is all Greek to you and you think you could, or someone you know could benefit from my one to one two hour classes, just call the studio on 01883 722282 or click on this link to find out more.

Enjoy the weekend, I'll be back in two weeks time with more news. Bye for now!

Stella